Join us on November 4 at 10 am or November 15 at 3 pm for this special post-production conversation about the the road weeps, the well runs dry in our lobby with coffee and refreshments.
Our audience asked us for opportunities to talk about our productions once they have had a chance to process the show, and we responded. Because we are blessed to be in a comfortable, welcoming community center, we are able to host these types of conversations.
This event is free and open to the public, but RSVPs are welcome. Email Kelsye or call 612-824-0459 to let us know you want to join us.
Dramaturg Nakissa Etemad talks about THE ROAD WEEPS, THE WELL RUNS DRY by Marcus Gardley in this video interview .
During the run of the road weeps, the well runs dry, the Pillsbury House lobby will feature a video installation by local artist Jonathan Thunder. Here’s a preview…
Why did you write this play?” “What kind of responses have you received so far?” “Was there slavery in Native American culture in the 19th century?” These are just a sample of the questions asked at an energetic preview and forum we held on Friday, August 23 in our theatre.
Magical, epic, urgent, and poetic, the road weeps, the well runs dry explores issues of spirituality and identity, education and migration, through the story of Wewoka, Oklahoma, the first all-black town in America. Black Seminoles, people of both African and Native heritage, watch all they have built collapse into civil war when the well water runs dry. This exciting play by Marcus Gardley will be seen all over the United States in 2013. Coming to Pillsbury House Theatre September 27 – October 27…
“If you let it take you where it wants to, if you follow its gestures and open up, the result is a production that is mystical and knowing.” -Rohan Preston, Star Tribune
Read all the reviews »
“Rivers hold a special place in the traditions of African Americans—the site for baptismal rituals and concealed lynchings, the entry to the promise of freedom, the soothing azure green of Romare Bearden, the sultry undulation of Osun’s waters, the ancient dusky souls from Langston Hughes, and Tracy Chapman’s readiness to be washed over. It is hard to imagine an image more complex or potent in the African American psyche.” —Dr. Omi Osun Joni L. Jones
Read Dr. Jones’ Linear Notes on River See»
Set on a juking boat, with blueswomen, queers, deviants, and seers, River See brings people together to witness and create. Coming to our Mainstage April 13 – 21. More info & tickets »
A combustible mixture of race, class, and sex simmers just below the surface in this piercing dark comedy that returns in 2013.
2014 MAINSTAGE SEASON
February 21—March 23, 2014
by Johnna Adams, directed by Noel Raymond
Over the course of a 90 minute parent/teacher conference, a grieving mother and an emotionally overwhelmed fifth grade teacher have a fraught conversation about the mother’s son, the teacher’s student, Gidion. As his tragic story is slowly uncovered, the women wrestle with issues in the undercurrent of education today—Is the system supporting our youth or forcing them to conform? Who is responsible when things go wrong?
April 23—May 4, 2014
written and performed by Michael Milligan, directed by Tom Oppenheim
In the tradition of solo performance like No Child, Michael Milligan brings his internationally acclaimed show to the Pillsbury House Theatre stage. Joe, a blue collar mechanic with a red state perspective, recounts the lengths he will go to care for his beloved wife. A detailed and emotional journey, Mercy Killers is an unflinching look at health care in the United States.
The Guthrie Theater presents a Pillsbury House Theatre
and The Mount Curve Company co-production of
Marcus, or the Secret of Sweet
Fall 2014 (Dates TBA)
In the Dowling Studio at the Guthrie Theater
by Tarell Alvin McCraney, directed by Marion McClinton
In the final installment of the acclaimed Brother/Sister Plays, young Marcus, son of Elegba, is haunted by dreams and dogged by doubts among his friends and neighbors in the tight-knit projects of the Louisiana Bayou. Incorporating and transcending his ancestors, Marcus must discover his true nature and embrace the secret power that being “sweet” brings.
Season passes: Pick your price. (Regular price: $100. Minimum price: $65.)
Season passes are available online or by calling 612-825-0459. In order to take advantage of the pick-your-price option, YOU MUST CALL 612-825-0459 to purchase a pass.
Individual tickets: Pick your price.
Purchase online or call 612-825-0459.
Groups: Call Alan at 612-825-0459, or email him at [email protected].
ABOUT THE MAINSTAGE SERIESSince 1992, we've brought contemporary work to life in productions that combine nerve and verve. From our intimate 96-seat theatre in south Minneapolis, we've produced over 40 productions, including more than a dozen area premieres. Among the celebrated playwrights whose works have been presented are Athol Fugard, Ed Bullins, Tony Kushner, Lisa Jones, Lorraine Hansbury, Tennessee Williams, Leroi Jones and Lanford Wilson.
- Yacub: Mad Scientist or Genius? by Homer Jackson director Ralph Remington 2/92
- Statements After an Arrest Under the Immorality Act by Athol Fugard director Ralph R. 7/92
- Gerry Girouard Dancers in The Shadows of the Diamond Realm 7/92
- Danny and the Deep Blue Sea by John Patrick Shanley director Ralph Remington 1/93
- Slow Dance on the Killing Ground by William Hanley director Ralph Remington 3/93
- Power Tools by Xavier Leonard director Ralph Remington 6/93
- The Taking of Miss Janie by Ed Bullins director Ralph Remington 9/93
- Azande in Les Mannequins by Azande director Azande 9/93
- The Colors of Desire by Alexs Pate and David Mura director Ralph Remington 2/94
- Savage in Limbo by John Patrick Shanley director Ralph Remington 3/94
- Thoughts from a Cultural Revolutionary by Ralph Remington director Ralph Remington 4/94
- Combination Skin by Lisa Jones director Dawn Renee Jones 7/94
- MultiCultiBoho Sideshow by Alexs Pate director Ralph Remington 11/94
- This City of Dreams by Walter Allen Bennett,Jr. director Ralph Remington 3/95 9/95
- The Hittite Empire in Undersiege Stories by the Hittite Empire 6/95
- The Punic Wars by Sirius B 7/95
- Extremities by William Mastrosimone director Ralph Remington 3/96
- Sexual Perversity in Chicago by David Mamet director Dwight Callaway 8/96
- Bring the Children Home by Marci Rendon directors Noel Raymond & Heidi Hunter Batz 9/96
- Streamers by David Rabe director Noel Raymond 2/97
- Women of Manhattan by John Patrick Shanley director Ralph Remington 7/97
- The Brunette Breck Girl by Heidi Arnesan director Heidi Arnesan 7/97
- Burn This by Lanford Wilson director Ralph Remington 10/97
- The Sign in Sidney Brustein’s Window by Lorraine Hansberry directors D. Callaway & Ralph R. 2/98
- Where I’m At conceived, developed and directed by Heidi Hunter Batz 3/98
- Dutchman by LeRoi Jones director Brian Goranson 6/98
- A Streetcar Named Desire by Tennessee Williams director Leah C. Gardiner 2/99
- Shelter (staged reading) by Dwight Hobbes director Ralph Remington 6/99
- Angels in America, Part One: Millennium Approaches by Tony Kushner director Noel Raymond 2/00
- The House That Crack Built by Djola Branner director Heidi Hunter Batz 10/00
- Angels in America, Part Two: Perestroika by Tony Kushner director Noel Raymond 3/01
- The Gimmick by Dael Orlandersmith director Sharon Walton 7/01
- Mr. Bundy by Jane Martin director Faye Price and Sari Ketter 3/02
- The Bi Show (in collaboration with Mama Mosaic) director Noel Raymond 5/02
- Boesman and Lena by Athol Fugard director Noel Raymond 10/02
- [sic] by Melissa James Gibson director Noel Raymond 2/03
- Evidence of Silence Broken (in collaboration with Tru Ruts Endeavors) director Daniel Alexander Jones 4/03
- Jesus Hopped the ‘A’ Train by Stephen Adly Guirgis director Stephen DiMenna 10/03
- Far Away by Caryl Churchill director Noel Raymond 3/04
- Talking Masks (in collaboration with Carlyle Brown and Company) director Carlyle Brown 5/04
- Bel Canto by Daniel Alexander Jones director Stephen DiMenna 10/04
- The Story by Tracey Scott Wilson director Sharon Walton 3/05
- Hot Comb by Kimberly Joy Morgan director Dr. Tawnya Pettiford-Wates 5/05
- An Almost Holy Picture by Heather McDonald director Noel Raymond 9/05
- Hot Comb ’06 director Dr. Tawnya Pettiford-Wates 1/06
- Phoenix Fabrik director Daniel Alexander Jones 6/06
- Bugby Tracey Letts director Stephen DiMenna 10/06
- Underneath the Lintelby Glen Berger director Noel Raymond 2/07
- Lowby Rha Goddess director Chay Yew 6/07
- Home by Samm-Art Williams director Marion McClinton 10/07
- Same Differenceby Samuel G. Roberson, Jr. director Anton Jones 2/08
- Other by the Breaking Ice Company director Heidi Hunter Batz 3/08
- Bulrusher by Eisa Davis director Marion McClinton 5/08
- Blackbird by David Harrower director Stephen DiMenna 10/08
- No Child by Nilaja Sun director Noel Raymond 2/09
- Playlist by Aditi Brennan Kapil and the Breaking Ice Company director Heidi Hunter Batz 5/09
- King of Shadows by Roberto Aguirre-Sacasa director Randy Reyes 10/09
- No Child ’10 by NIlaja Sun director Noel Raymond 2/10
- Pa’s Hat by Cori Thomas director Marion McClinton 5/10
- Vigil by Morris Panych director Stephen DiMenna 9/10
- Broke-ology by Nathan Louis Jackson director James A. Williams 3/11
- In the Red and Brown Water by Tarell Alvin McCraney director Marion McClinton 5/11
- The Pride by Alexi Kaye Campbell, director Noel Raymond, 10/11
- Buzzer by Tracey Scott Wilson, director Marion McClinton, 2/12
- Jomama Jones: Radiate Live! created by Daniel Alexander Jones in collaboration with Bobby Halvorson, 6/12
- The Brothers Size by Tarell Alvin McCraney, directed Marion McClinton, 9/12
- Buzzer by Tracey Scott Wilson, director Marion McClinton, 2/13
- River See by Sharon Bridgforth, featuring Sonja Parks, 4/13
- the road weeps, the well runs dry by Marcus Gardley, directed by Marion McClinton, 10/13