What do you do with facts that haunt you? How does the body reconcile trauma and hope? Moe Lionel travels from the depths of a swimming pool in L.A. to a bathtub full of ice in Minneapolis, mapping genealogies of violence, masculinity, and whiteness held in his body.
A CIA operative, pilot of an unmanned aerial vehicle, a drone, bombs targets in South Asia while struggling to be a good father and a husband. Video, mime, shadow puppetry, dance, and acrobatics combine in a pageant of stunning images set to original pop music fashioned after today’s top-40 hits.
We All Died and Came Back Easier is a mashup of gay cultural history through installation, image and movement, swallowed, digested, and spit back up by a post-Stonewall homo. Performed by Max Wirsing, Dustin Maxwell and Nick LeMere.
A tall Argentine leaves his mother land to come to the U.S. and discovers that changing the language you speak might change who you are. Don’t Cry For Me uses satire, movement, and storytelling to explore connections between language and identity. Performed by Paulino Brener. Directed by Dario Tangelson.
